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Showing posts from November, 2010

Mandakini had a Great Bath

"...so the wretched infidel gazes himself blind at the monumental white shroud that wraps all the prospect around him"

Whiteness, Herman Melville from Moby Dick, 1851


"This is arguably the best waterfall shot I have ever seen outside of those long-winded and half-assed documentaries on the rain forests of Java. Miss Mandakini's *its have been used with charming ambience to optimize and enhance the subtle play of light and shade which is so necessary but generally overlooked in outdoor shooting by most except the greatest of directors. I would personally recommend them to anyone who still cares about our diminishing ozone layer. Indian cinema has at last come of age and in the future we can perhaps hope to see more and more films on the Gangetic delta and the Deccan plateau starring Miss Mandakini's bell*, bu***cks and *highs." ~ American film critic Pauline Kael.





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Image: Original was on the cover of Filmfare magazine in April 1985 for the story Wet dream…

Rajshree

From - Merchant Ivory's Bombay Talkie (1970).

Siliguri Silly

Fly-in, attend the big fat Marwari wedding of a friend, sleep in a hotel room, fly-out. It was a simple and short affair with the city.






What do you buy

"The cosmetic manufacturers are not selling lanolin, they are selling hope...we no longer buy oranges, we buy vitality. We do not just buy an auto, we buy prestige."
~Vance Packard

 Aldous Huxley in his Brave New World Revisited:

"Most cosmetics are made of lanolin, which is a mixture of purified wool fat and water beaten up to an emulsion. This emulsion has many valuable properties: it penetrates the skin, does not become rancid and mildly antiseptic. But commercial propagandists do not speak of the genuine virtues of the emulsion. They give it some voluptuous name, talk misleadingly about feminine beauty and show pictures of gorgeous blondes nourishing their tissues with skin food. Cosmetic manufacturers do not sell lanolin, they are selling hope. For this hope, propagandists have so skillfully related to a deep-seated and almost universal feminine wish - the wish to be more attractive to members of the opposite sex.

We no longer buy oranges, we buy vitality. We do n…

Mannu Dhaakad Man

"Clark Kent is Superman's critique on the whole human race."
 ~Bill in Kill Bill 1. Bill didn't know much about human race.

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Kaun Hai tu?Tu Kaun Hai?
(Who are you? You are Who?)
Main Manoj Hu.
(I am Manoj)
Main Mohit Hu.
(I am Mohit)
Bahut Maray Karay Hu Main.
(I like to beat a lot)
Main Khurakh de du.
(Should I give you the Medicine)
Achha.
Hmm.

And just when Mohit and Manoj, who look like identical twins, are about tear each other part. Something swoops down on them from the sky. It's a bird, it's a plane. it's Mannu Dhaakad (Great) Man. This is the story of Raja, a not so mild-mannered rickshaw driver who likes to disguise himself as a Superhero, Mannu, a messiah for the poor and landless.



A hero more Dhaakad than Superman. While all powerful Superman finds it difficult to fly chest out against the wind, our desi hero does most of his flying standing up-right. When Mannu takes his Lois Lane on a late night space trip, they both take it standing. And yes, in…

Awesomest Twist. Ever. At least in Indian Cinema.

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Bela Bose burning the dance floor with Chandra Shekhar in Street Singer (1966)

Wah! Wah!

Magic Mirror

We Watch

80 Curls

Sheng the Savage

Screencap of Shatrughan Sinha in the film 'Ek Nanhi Munni Ladki Thi' (1970) reading 'Sheng the Savage' (1969) in Flash Gordon series from Indrajal Comics.

In Praise of Early Air India Stewardesses

Air India/Tata Airlines' stewardess Monica Gilbet (centre) shows the flight report to a Sikh passenger during a Delhi to Bombay flight. Year 1946.

Photograph by Margaret Bourke White

Two pics of Monica Gilbet published in Life Magazine
Pic 1Pic 2 And here are the photographs of other Air India Stewardesses, all Anglo-Indian, from the year 1946 shot by Margaret Bourke White for Life Magazine.

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Previously:
Air India Air Hostesses, 1946 (not sure if this is from the same collection as it's not available at Life Magazine archive)

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First two Liril Girls

Liril Ad featuring Anjali Jathar who replaced Karen Lunel in 1988. Karen Lunel ad first came in 1975 and later got a second life in 1985.

America offers you better weapons, easy money and freedom too.

Covered Wagon

Nearly two centuries ago, men of many nations loaded all
their possessions on ox-carts and adventured into the Virgin
West of the United States. In the sweat of their brows always,
and in their life-blood sometimes, they subdued Nature to their
needs and built their homes.
And then this people of the New world turned their
pioneering drive to make a society in which all men are free.
These are the people who have committed themselves through
their President to Defend human freedom all over the earth.

The United States has sent its fighting men to India as crusaders in
the cause of liberty - pledged to crush those who would enslave mankind.

America Fights for Freedom

Issued by the United States of America

~ A World War 2 advertisement by United States Government publicizing the assistance provided to India. Published in Jan 24, 1943 issue of The Indian Express.


Found it in the archives of The Indian Express available at Google news. [Check it out here]

[Recently came across…

Documentary: Manmohan Desai on his Cinema

On 16th October caught this awesome old documentary on Doordarshan Delhi. It was probably made around the time Manmohan Desai's Gangaa Jamunaa Saraswathi released, that would be year 1988. Crocs were great but that's a film he should have never made.

The quality isn't great but hey don't complain you get to know how that epic end sequence from Coolie was shot, the exact number of cameras used to capture the eye roll of Amitabh.

The good part missing (cause I couldn't find my camera in time) included how Manmohan Desai at the start of his career directed Raj Kapoor in Chhalia (1960), Desai certainly believed in formula, he for the title song 'Chalia Mera Naam' he just asked Raj Kapoor to give the signature 'Raj Kapoor' look that he had given in all his previous films. And how he shot 'Govinda Aala Re' in streets of Mumbai streets with Shammi Kapoor for Bluff Master (1963).

Voice over by Saeed Jaffrey.


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