At The Edge

A strange new deadly creature has sneaked aboard the ship. The latest maneuver of  Zakhakoo to take down Commander Tara and his city, the last hurdle to his plans of adding earth to his galactic kingdom and the universe. This time he sent a small Blob, strangely, much resembling a stinky wet Upla , a throbbing pack of  cow-dung . The Blob is given to jumps onto its unsuspecting victims and sucks the life force out of them. Soon, this 'death-on-contact-with-skin' creature starts making victims out of helpless citizens of the Space City who have no clue about the nature of these new deaths. As the word slowly spreads,there is mayhem, in this mayhem the Blob zeros in on what could be its most prized victim - Shakti. As a doors open (automatically, woosh -pause- woosh ), Shakti walks in only to be attacked slyly by the Blob. In the manner of its previous killings, this time too, Blob goes for the face, sticking to ...

Vinod Khanna in Cinthol Ad, 1986.  Men finally got a soap. Only a decade earlier, in 1970s, Cinthol  'India's only deodorant soap' too was targeted at ladies.   -0-

Before Helen there was Cuckoo, and before Cuckoo there was a popular dancer on whom Cuckoo modeled herself, and her name was Azuri. This Anglo-Indian woman used to freelance for all the studios in the days  when the other popular dancer of that era Sunita Devi used to work with only Ranjit Movietone studio. Some of her best work was in Gentlemen Daku (1937) and in Mehboob Khan's Watan (1938). Her only full starring role was in a film called 'Maya' in which she played the role of hero-chasing spoilt daughter of a rich man.

 Amitabh Bachan in Laawaris (1981)

Salunke in 'Lanka Dhan' (1917) Salunke in raja Harischandra. (And yes, that would be first bath on screen by an Indian actress) The story goes like this: Around 1913, Dadasaheb Phalke was planning to make his magnum opus – a mythological feature film titled ‘Raja Harishchandra’. But before he could start, he needed to find a young woman who could take on the role of female lead. This proved to be the tricky part. Back then no woman, even the prostitutes and the dancing girls that he approached, was willing to sell his soul to the devil. Facing the camera was akin to laying bare at a public square. Dadasaheb Phalke’s grand plans for cinema were stalled. Then one night while dining at a restaurant, some say while sipping a cup of tea there, Phalke found his heroine, an impressive womanly beauty, working the kitchen as a lowly help. Dadasaheb Phalke made an offer that was promptly accepted, and in this manner on a monthly salary of Rs.10 (or according to some, Rs. 15 wit...

Ladies from Manoranjan (1974)

Came across a bunch of interesting rare Hindu images over at the Life Magazine archive [ Link ]. A group of engraving caught my interest. As these images came with bare minimum information (simply tagged 'REL ORIE Hindu GODS'), it took me quite some time to figure out  that the fascinating images were in fact engraving (from 1722) by French artist Bernard Picart (b Paris, 11 June 1673; d Amsterdam, 8 May 1733) as appearing in William Hurd's 'Religious Rites & Ceremonies of All Nations (Vol. 3, 1780)'. Picart never left Europe, most of these engravings were based on accounts of various travelers and the sculptures that they brought with them. Ixora/Siva/Mahadev Shiv. Brahma. Ganesh. Scene at a Hindu temple Hindu Trinity or Trimurti Ten Incarnations of Vishnu A collection of engraving devoted to each incarnation: In addition to the images of these gods we have this intriguing image of sea-warfare of Marathas. -0- Previously: Hindu Dieti...