Retrograde. Bamboozlement! More Bamboozlement!

Another Brick in the Wall

Beena Roy in Anarkali (1953)
Madhubala in Mughal-e-Azam (1960)
Raj Kumar in Neel Kamal (1968)
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Bhohkal Transformation



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India - Pakistan Passport, 1963

Shared by Amandeep S. Sawhney.
A special pilgrim visa meant for Sikhs visiting Pakistan. This one was issued in 1963 from Amritsar.



"Good for single visit to Gurdwaras: Nankana Sahib Dist. Sheikhupura, Dera Sahib Janam Asthan, Shahid Gunj, Cheevin Padshahi (Muzung), Shahid Bhai Taru Singh Ji at Lahore..."

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"To leave a country is like breaking out of jail and to enter a country is like going through an eye of a needle."
Charles Chaplin's A King in New York (1957).
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Educating Indians on Kashmir through Comics


Cross-posted from my Kashmir Blog.

If you know a Kashmiri who you would, just out of common courtesy, ask a question about Kashmir, a simple 'Aur Aaj Kal Waha Kay Halaat Kaisay Hai?' but then end-up praying to your God may guy please drop dead because he wouldn't just shut up going on and on about Kashmir until you have learn't by heart all the clauses and sub-clauses in article 370 and the exact chronology of  signing of the Instrument of Accession, before you even get a chance to offer your sympathies or apologies, leave alone a solution, that there, that crazy Kashmiri guy with possible terrorist looks, would have been me. Back when I was in college, the ignorance of Indians about Kashmir infuriated me and like any other good Kashmir, I took upon the charge of educating Indians about the real Kashmir. I became the resident Kashmir expert of the college, of Chai ki Dukan, of Cinema Hall, of train, of bus.  You could ask m anything you want but the problem was that a question asked at around 11 P.M. would often end-up in a session lasting till 5 A.M., with at least last 2 hours of the session often ending-up with me talking to myself. After a few such sessions with Indians from all corners of the country, I soon learnt that there are basically two type of Indian listeners to 'Kashmir Ki Kahani'. First Type, Sympathizers: those who mean good, who do want to know it all, but because of reasons beyond their control, can't stay awake beyond 11:30 P.M.. Note to self: the story has to be short, precise, not too much details but juicy all the time. Second Type, Antagonizers: they just want in on dirty details. These otherwise normal human beings on usage of some specific keywords like 'Muslims', 'Islam', 'Pakistan', 'Hindus' transform into raging chimpanzees from Space Odyssey, even maybe a bit more advanced because at times they actually beg to be deliberately fed these magic words. I once was made to tell the story in a  train. Ten minutes into the story the guys cut me off, 'Yaar, Maza Nahi Aa raha'. Why? Because not enough people were dying in the story (and I had only told them about exploits of Lalitaditya yet!). I made another note to self: Some Indian have seen and known much more violence than Kashmiris, your stories won't move even a hair inside their ear, not unless your Kashmir story involves a neutron bomb accidently going off in Kangri of a Kashmiri terrorist who was going to bring it to Delhi, and the blast taking out entire Kashmir and half of Pakistan, problem solved. But how many nuclear explosions can one have. But, I did not lose hope in humanity I continued to bore people with stories of Kashmir. And just so that Kashmiris don't feel left out I even started a blog to bore Kashmiris with stories of Kashmir. This blog. Do you realize the efforts it takes to bore Kashmiris with Kashmir story. Ask me. It became such an effort that I forgot all about educating Indians.

But that was until a couple of months back when Sumit Kumar e-mailed  me to inform that it was an old post of mine that led him to Andrew Whitehead's 'A Mission in Kashmir' which went on to be one of the sources for his comic take on events around 1947 in Kashmir, the freakishly funny Kashmir Ki Kahani Part - 1. Part 1 involved story about the genesis of the problem. Part 2 was going to be about rise of Sheikh Abdullah. He asked me if I could help him a bit with that. A chance to mess with...eer... re-educate the two type of Indians about Kashmir in an entirely fun new way. I was in. What followed was a series of emails on the subject.

The result: wickedly funny (and educative at the same time) Sumit Kumar's Kashmir Ki Kahani - Part 2 here. Do check it out!

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P.S.

R.K Laxman's caricature of Sheikh Abdullah that went on to be the base model for Sheikh in this comic.

Ashok Kumar with his Chicks

When Ashok Kumar famously took up chicken farming.






Ashok Kumar at his farm in Karla near Poona.
Filmfare December 1, 1972
Photographs: Balkrishan

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