The Japanese left-leaning film critic Akira Iwasaki narrates a story connected to the filming of Rashomon. “While Kurosawa’s staff was at a loose end in its Kyoto hotel waiting for the completion of an open air set…they saw a 16 mm film of an expedition to Africa. One shot showed a lion staring at the cameraman from the edge of the jungle. “Look, Mifune !” cried Kurosawa. “ That’s how Tajomaru (the bandit) should be!” in that instant, he had seen the bandit Tajomaru as he was to appear in the film, peering out at the woman with piercing eyes from the bamboo grove. Iwasaki also tells how they all went to see a film featuring a black panther at the local cinema on the recommendation of the actor who played the husband ( Masayuki Mori ). “When the panther at last appeared, Machiko Kyo , the actress who played the part of the young wife, covered her face with her hands in alarm. It was this gesture that crystallized in Kurosawa’s mind the image of Masago, confronted by two men fighting ov